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Narratives of Nature: Representations of the Environment, Urban Ecology and Planetary Crisis in Indigenous and Postcolonial Literatures
Litinfinite Journal | Vol-7, Issue-1 | July, 2025
Content
Litinfinite Journal | Vol-7, Issue-1 | July, 2025
| Article Title | Authors | Pagination |
| Content |
|
|
| Editorial | Sreetanwi Chakraborty | i-ii |
1 | Animating the Land: Native American Spirituality, Identity and the Struggle for Sovereignty in Contemporary Literature | Dr. Anu Lakshmi Babu | 1-9 |
2 | Industrial revolution as the harbinger of climate crisis – The Anthropocene epoch in Edasseri Govindan Nair’s “Kuttipuram Palam” | Aswathi K R Prof. B J Geetha | 20-28 |
3 | Aligning Women with Nature: An Ecofeminist Critique of Tagore’s Three Women | Bhaktinath Barman Dr. Saikat Sarkar | 19-24 |
4 | Wounded earth; Wounded bodies: Submerged Knowledge and Feminist Resistance in Oceanic Spaces | Catharinal Silvia M | 29-39 |
5 | Decoding the Unthinkable: Cultural Dynamics and Mythical Representations of Nature in Verrier Elwin’s Select Tribal Folklores | Dr Manish Prasad | 40-48 |
6 | Disclosing the Double Discourse of Terror and Tradition of the North-East: A Selective study of Robin S. Ngangom’s Poetry | Dr. Masoom Islam | 49-61 |
7 | Nature Narratives in Northeast Indian Literature: Eco-Discourse and Cultural Perspectives | Subrata Barman | 62-72 |
8 | Storied Lands and Silenced Voices: Reading Mamang Dai’s The Black Hill through the lens of Terristory | Prajnaa Ananyaa Amarjeet Nayak | 73-84 |
9 | The Banter and the Bond: A Tapestry of Tender Tales in Din about Chins by Santosh Bakaya | Dr. Ritu Kamra Kumar | 85-87 |
10 | “Folklore and the Anthropocene”: A Review of The Way to Rainy Mountain, by Scott Momaday | Samantha Robin Christopher | 88-91 |
Editorial
Sreetanwi Chakraborty
Chief-Editor- Litinfinite Journal
Assistant Professor
Amity Institute of English Studies and Research
Amity University Kolkata
Editorial
Sreetanwi Chakraborty
Chief-Editor- Litinfinite Journal
Assistant Professor, Amity Institute of English Studies and Research, Amity University Kolkata. West Bengal, India.
Mail ID: litinfinitejournal@gmail.com | ORCID ID: 0000-0002-2936-222X
The recent studies and research on biodiversity, climate change, ecological and environmental crisis, depletion of the forest covers and ozone layers, and the problematic level of the Anthropos are some of the factors that are largely represented in many of the postcolonial writings. While the challenges to the Anthropocene are becoming more complex and multilayered, there is a growing sense of responsibility that is getting attached to postcolonial literature. It is true that the Anthropocene always challenges the set patterns of our thought, reflecting and conceptualizing narratives that are fraught with multiple interpretations. Along with this, there is also an addition to the idea of local planetarity, and the concerns about the earth and the globe. At the inception of the postcolonial writings, and the major works of Edward Said, Gayatri Chakraborty Spivak, and Homi Bhabha have contributed a lot in terms of understanding the crossroads of postcolonial writing. As Laura Brueck and Praseeda Gopinath highlights in their book The Routledge Companion to Postcolonial and Decolonial Literature:
“At this critical historical juncture an increased emphasis on indigeneity and settler colonialism around the world demands a reevaluation of the hegemonic project of the nation and postcolonial approaches that focus on the nation.” (Brueck and Gopinath 1971)
The current issue of Litinfinite Journal attempts to Narratives of Nature: Representations of the Environment, Urban Ecology and Planetary Crisis in Indigenous and Postcolonial Literatures. Dr. Anu Lakshmi Babu’s paper concentrates on Animating the Land: Native American Spirituality, Identity and the Struggle for Sovereignty in Contemporary Literature. She has highlighted how for Indigenous people, the land is not a commodity but a living entity, a source of life, memory and identity that shapes their worldview and sustains their traditions. This connection fosters a land-based identity rooted in reciprocal respect, stewardship and sacred kinship with nature. However, centuries of colonial intrusion have sought to disrupt this relationship through forced land dispossession, cultural erasure and religious conversion, leading to ongoing struggles for sovereignty, self-determination and cultural survival. Aswathi K R, and Prof. B J Geetha’s paper highlights in its interesting title Industrial revolution as the harbinger of climate crisis – The Anthropocene epoch in Edasseri Govindan Nair’s “Kuttipuram Palam”. “Kuttipuram Palam”, as the author shows, was written in 1954 and it is a prime example of the Anthropocene epoch as the poem features the fears of the poet for the future. Seventy plus years after the poet expressed his anxiety, the inhabitants of the planet behold the Anthropocene epoch manifesting in all its diverse forms. The next research paper is titled Aligning Women with Nature: An Ecofeminist Critique of Tagore’s Three Women. Here the author Bhaktinath Barman has discussed the ‘Nature’ and ‘Woman’ both are systematically substantiated in the current academia with regard to ecology and environmental sustainability. Ecocritical scholarship in recent times has achieved a ‘significant’ momentum due to the perpetual conflict between the rapid growth of modern technological advancement and a desire for sustainable development. Ecocriticism as a critical theoretical foundation has outgrown into multi-faceted vistas of knowledge such as Deep Ecology, Anthropocene, Third World Environmentalism, Ecofeminism. The next paper titled Wounded earth; Wounded bodies: Submerged Knowledge and Feminist Resistance in Oceanic Spaces by Catharinal Silvia M is a study on ecofeminism and the Blue Humanities have offered critical tools for interrogating the co-constitutive oppressions of ecological degradation and gendered violence. Yet, alone, each field leaves epistemological gaps. Ecofeminism, as first articulated by Françoise d’Eaubonne, links the domination of nature with the subjugation of women under capitalist-patriarchal structures.
The next few papers are also a critical and analytical study of the ecology, environment and the facets of planetary crisis. Dr. Manish Prasad’s research paper titled Decoding the Unthinkable: Cultural Dynamics and Mythical Representations of Nature in Verrier Elwin’s Select Tribal Folklores attempts to highlight the folklore concerning the Myths of Middle India which was published in 1949. He shows in his paper how the present tribal folklore is a Dhulia myth from Karondi, Madhya Pradesh that deals with trees: The wife of Mirchamal Dano, Buchki Rakasin, was a strange woman. She never bore a child; she did not even have a monthly period. The Dano got her a lot of medicine and called many medicine men, but it was no use. After this, the next paper titled Disclosing the Double Discourse of Terror and Tradition of the North-East: A Selective study of Robin S. Ngangom’s Poetry by Dr. Masoom Islam is a veritable understanding of poetry from Northeast India that is not homogenous but heterogenous. It is homogenous in respect of its geographical location, forests’ flora and fauna, indigenous life and lifestyle, the rootedness to the soil and the pristine past of its populace. On the other hand, it is heterogenous in respect of its land, locality and livelihood which is marked as per the variety of ethnicity and ethnic culture, customs, rites, rituals, belief in myth and mythology. The next paper for this volume is titled Storied Lands and Silenced Voices: Reading Mamang Dai’s The Black Hill through the lens of Terristory authored by Prajnaa Ananyaa, Amarjeet Nayak is a study of Mamang Dai’s The Black Hill (2014), a novel set in the nineteenth century in the region now known as Arunachal Pradesh, home to several Indigenous communities, including the Idu Mishmis of the Dibang Valley, through the lens of terristory, a concept rooted in Indigenous relational ontology that understands land and narrative as inherently interconnected.
While studying the narratives of ecology, environment and the Anthropocene, we go through one more research paper titled Nature Narratives in Northeast Indian Literature: Eco-Discourse and Cultural Perspectives by Subrata Barman discusses northeast Indian writing in English has often been misunderstood as dominated by political conflict and insurgency. However, to look closely we find a strong ecological consciousness embedded equally as a prominent feature in their literature. Critics note that authors from Northeast India often “(…) portray the land through a wide range of images of rivers, trees, hills, tradition, culture, myth, and legends,” making ecology a central concern of their literature. There are also two book reviews, one by Dr. Ritu Kamra Kumar, titled The Banter and the Bond: A Tapestry of Tender Tales in Din about Chins by Santosh Bakaya and the other Folklore and the Anthropocene: A Review of The Way to Rainy Mountain, by Scott Momaday written by Samantha Robin Christopher. Each of these reviews have interwoven strands of cultural and social narratives, often imbibing the deepest aspects of negotiating with the concerns of the environment.
I hope our readers, scholars, researchers and faculty will derive the necessary academic nourishment from Litinfinite Vol. 7, Issue 1. I express my heartfelt thanks to all our esteemed editors and contributors. I offer my sincerest thanks to Penprints Publication, for their constant technical support.
Thanking You,
Sreetanwi Chakraborty
Editor-in-Chief
Litinfinite Journal
Kolkata
References
Gopinath, Praseeda, and Laura Brueck. The Routledge Companion to Postcolonial and Decolonial Literature. Taylor & Francis, 2024.
Dr. Anu Lakshmi Babu
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 1-9
This paper explores the intricate relationship between Native American identity and the land, emphasising the spiritual, cultural and communal dimensions of this bond. Rooted in Indigenous cosmologies that view land, animals, plants and spirits as interconnected components of a shared identity, the study highlights how land-based identity fosters reciprocal respect and stewardship. Drawing on Anibal Quijano’s theory of decoloniality and Leanne Simpson’s concept of ‘land as pedagogy’, the paper situates Indigenous struggles over land, tradition and identity within ongoing processes of colonial power that seek to commodify and erase Indigenous epistemologies. The paper focuses on the Native American Chippewa author Louise Erdrich’s The Last Report on the Miracles at Little No Horse, throwing light on the character Father Damien Modeste, whose spiritual journey from Catholic missionary to an embrace of Native animism and cultural hybridity symbolises broader decolonial struggles for sovereignty and cultural survival. The study argues that reclaiming land is both a political and deeply spiritual act for Indigenous communities, constituting an essential process of decolonial resistance and identity restoration amid colonial attempts to sever these vital connections.
Babu, Anu Lakshmi. “Animating the Land: Native American Spirituality, Identity and the Struggle for Sovereignty in Contemporary Literature.” Litinfinite Journal, 7.1 (2025).

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Aswathi K R1 and Prof. B J Geetha2
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 10-19
This article examines the role industrial revolution plays in the epoch of Anthropocene by analysing the technological, cultural and geological counterparts by grafting the future as past memories in poetic form. It investigates the way the poem, “Kuttipuram Palam” (Kuttipuram Bridge) by Edasseri Govindan Nair guide us to rewrite, and renegotiate, how a bridge emerges as a level III technology and rework the relationship between level I, level II and level III technologies. The poem demonstrates the destructive power; a level I technology holds in the geological scale as a harbinger of Anthropocene. Edasseri through his poem “Kuttipuram Palam”, challenge the readers to interrogate their understanding of simple technologies in everyday life as a beginning of Anthropocene in a geological scale as opposed to the impact of the very technology’s implication in the linear time. Here the “Kuttipuram Palam” advice the readers to revise their perspective and asks to retrieve the Anthropocene nature of the seemingly innocent and simpler technologies of past. The “Kuttipuram Palam” explores the past of ‘Kuttipuram’ and testify to its ongoing effects as the Bridge (palam) is built across Bharathapuzha, the river and envisages the Anthropocene nature of the technologically transformed future.
R, K Aswathi and Geetha, B, J. “Industrial revolution as the harbinger of climate crisis – The Anthropocene epoch in Edasseri Govindan Nair’s “Kuttipuram Palam”.” Litinfinite Journal 7.1 (2025).

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Aligning Women with Nature: An Ecofeminist Critique of Tagore’s Three Women
Bhaktinath Barman1 and Dr. Saikat Sarkar2
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 20-28
Women and Nature constitute two important discourses of Ecocriticism. The modernising projects of contemporary times shaped by the ethics of development and material progress are causing environmental degradation. The rhetoric of development is opening new frontiers of oppression on the basis of gender, caste, and location posing a serious challenge to sustainable life on earth. Ecofeminist project strongly advocates the notion of development as reductionist endeavour. Ecofeminists call for a revolutionary view of life in which Nature and Women take centre stage as they personify the perfect equality and sustainability. Rabindranath Tagore, the Bengali polymath, is hugely celebrated for his undaunting desire for equality and women empowerment. The proposed article tries to examine Tagore’s deep-rooted concern about women in connection with Nature with special reference to “Malancha”, “Nastaneer” and “Dui Bon”.
Barman, B, and Sarkar, S. “Aligning Women with Nature: An Ecofeminist Critique of Tagore’s Three Women”. Litinfinite Journal 7.1 (2025).

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Wounded earth; Wounded bodies: Submerged Knowledge and Feminist Resistance in Oceanic Spaces
Catharinal Silvia M
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 29-39
This paper examines the convergence of ecofeminist thought and the Blue Humanities to explore how women’s bodies and marine environments are not only commodified under patriarchal and capitalist systems but also subjected to epistemic erasure and environmental dispossession. Drawing on the work of Françoise d’Eaubonne, Vandana Shiva, Elizabeth DeLoughrey, and others, it investigates how colonial and extractivist regimes suppress the knowledge systems and lived experiences of coastal women and marginalized communities, treating both water and the female body as mute, extractable entities. Through literary analysis, environmental case studies, and cultural critique, the paper demonstrates that the marginalization of embodied and localized knowledges sustains broader ecological and gendered injustices. It ultimately argues that a fused ecofeminist and oceanic framework offers not only critique but a mode of resistance recovering submerged epistemologies and reframing both marine and female bodies as sites of memory, agency, and ecological insight.
M, S, Catharinal. “Wounded earth; Wounded bodies: Submerged Knowledge and Feminist Resistance in Oceanic Spaces”. Litinfinite Journal 7.1 (2025).

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Dr Manish Prasad
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 40-48
The present paper aims to elucidate the representation of nature and climate, as well as the cultural and mythical dynamics, concerning verrier Elvin’s tribal folklore. In a personal attempt to understand such folklore in the present context, it is established that they are competent in suggesting the ‘unthinkable’ as Amitav Ghosh uses this meticulous term in his book the great derangement: climate change and the unthinkable (2016). A call for the preservation of these tribal myths and folklore is implied in the paper. It is a matter of great fortune that in folk literature the presence of such tales as documented by verrier Elwin would ensure for us a culture of long-lasting and sustainable environment on this beautiful bluish-green planet.
Prasad, Manish. “Decoding the Unthinkable: Cultural Dynamics and Mythical Representations of Nature in Verrier Elwin’s Select Tribal Folklores”. Litinfinite Journal 7.1 (2025).

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Dr. Masoom Islam
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 49-61
Writing poetry in English from North-East India is relatively a new literature which provides an insight into a region that has a different culture zone in comparison to mainland India. The area is full of multi-ethnic people with multi-layered cultures and customs, trends and traditions, myths and methods of living. The poetry of this area reflects the tradition, multi-ethnicity and diversity of the region. On the other hand, the multi-ethnicity and multi-layered status of this region tend to create a clash amidst peoples on regional and hegemonic cause which brings a tremendous regional challenge – from insurgency to state sponsored terrorism and negligence which also reflect in the poetry. Thus, poetry from the North-east India reflect two opposite worlds – the world of myth and tradition in one hand and the world of terror and bloodshed on the other. These paradoxical representations and double discourse of terror and tradition have been skillfully delineated in his poetry by Shillong based Manipuri poet Robin S. Ngangom. This paper examines the things and thoughts behind the discourses based on the select poetry of the concerned poet.
Islam, Masoom. “Disclosing the Double Discourse of Terror and Tradition of the North-East: A Selective study of Robin S. Ngangom’s Poetry”. Litinfinite Journal 7.1 (2025).

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Nature Narratives in Northeast Indian Literature: Eco-Discourse and Cultural Perspectives
Subrata Barman
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 62-72
This paper examines how recent literary texts from Northeast India function as Eco-discourses by integrating ecological themes with cultural worldview and resistance to dominant paradigms. Focusing on Temsula Ao (Nagaland), Mamang Dai (Arunachal Pradesh), Easterine Kire (Nagaland), and Dhruba Hazarika (Assam), it analyzes fiction (short stories, novels, poetry) that foregrounds nature not merely as a backdrop but as a living agent. Employing Ecocriticism, Postcolonial theory, Critical Discourse Analysis, Ecofeminism, and Indigenous knowledge frameworks, the study shows how these writers draw on tribal cosmologies (animism, folklore, myths) and narrative strategies (symbolism, personification, magical realism) to challenge anthropocentric and development-oriented discourses. Through a close reading of key texts; Ao’s “Laburnum for My Head” and “Death of a Hunter”; Dai’s River Poems and Escaping the Land; Kire’s When the River Sleeps and Don’t Run, My Love; Hazarika’s Luck, it is argued that Northeast Indian literature actively cultivates environmental awareness and counters hegemonic “green development” by prioritizing community-land relations. The paper also integrates secondary scholarly sources throughout.
Barman, Subrata. “Nature Narratives in Northeast Indian Literature: Eco-Discourse and Cultural Perspectives”. Litinfinite Journal 7.1 (2025).

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Prajnaa Ananyaa1, Amarjeet Nayak2
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 73-84
Indigenous epistemologies, shaped by deep, reciprocal relationships with the land, have historically been marginalised under colonial regimes, a pattern that persists in many post-colonial contexts. In Dibang Valley, Arunachal Pradesh, India, the exclusion of the local Idu Mishmi community from decisions related to wildlife conservation exemplifies the ongoing erasure of Indigenous perspectives and territorial claims by dominant state and scientific discourses, demanding immediate critical interrogation. Situated within this critical imperative, the paper examines Mamang Dai’s The Black Hill (2014), a novel set in the nineteenth century in the region now known as Arunachal Pradesh, home to several Indigenous communities, including the Idu Mishmis of the Dibang Valley, through the lens of terristory, a concept rooted in Indigenous relational ontology that understands land and narrative as inherently interconnected. It argues that terristory, disrupted by colonial and post-colonial forces, finds powerful expression in Dai’s novel through its privileging of oral traditions, animistic worldviews, and the dissolution of boundaries between myth and history. These narrative strategies resist hegemonic epistemologies, reaffirm Indigenous sovereignty, and articulate alternative ecological ethics. In doing so, the novel emerges as a vital intervention in ongoing struggles over land, identity, and knowledge.
Ananyaa, Prajnaa, and Nayak, Amarjeet. “Storied Lands and Silenced Voices: Reading Mamang Dai’s The Black Hill through the lens of Terristory”. Litinfinite Journal 7.1 (2025).

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Banter and the Bond: A Tapestry of Tender Tales in Din about Chins by Santosh Bakaya
Dr. Ritu Kamra Kumar
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 85-87
Name of the Book: Din About Chins – Vignettes about Mother and Daughter
Author: Santosh Bakaya
Publisher: Penprints
Language: English
ISBN: 978-8197403668
Price: Rs. 450
Kumar, K. R. “The Banter and the Bond: A Tapestry of Tender Tales in Din about Chins by Santosh Bakaya”. Litinfinite Journal 7.1 (2025).

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
“Folklore and the Anthropocene”: A Review of The Way to Rainy Mountain, by Scott Momaday
Samantha Robin Christopher
Litinfinite Journal | Vol-7, Issue-1 | July, 2025| Page: 88-91
Name of the Book: Din About Chins – Vignettes about Mother and Daughter
Author: Santosh Bakaya
Publisher: Penprints
Language: English
ISBN: 978-8197403668
Price: Rs. 450
Christopher, R. Samantha. “Folklore and the Anthropocene: A Review of The Way to Rainy Mountain, by Scott Momaday”. Litinfinite Journal 7.1 (2025).

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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